Residency Unlimited


2018 | NYC | Artist

Nadežda Kirćanski

nista spec 1.0 / not much 1.0, 2018. site-specific ambient installation
Artist Name: Nadežda Kirćanski
Residency Dates: October - November
Born: 1992
Hometown: Zrenjanin, Serbia
Lives & Works: Belgrade, Serbia

Recent shows include: (2018) Mangelos Award Finalists, Remont - IAA, Belgrade; not much 1.0 (solo); Youth Center Gallery, Belgrade; Private Value, The Swiss Residency, Belgrade; The Young 2018, Heritage House, Belgrade; #RIP (solo), Remont - IAA, Belgrade; (2017) The Wrong Biennale - Prosthetic Pavilion, online exhibition; Regional Exhibition - Banat Pavilion, Revolution Memorial, Timisoara; When the other meets the other Other, Cultural Center of Belgrade. Honors include: Sreten Stojanović, professor of AFA Award for achievements in sculpture for the year 2017.

Education: Holds a BFA and an MFA from the Faculty of Fine Arts in Belgrade at the department of Sculpture where she currently pursues her PhD.

Bio / Statement:

Awarded the 2018 Dimitrije Bašičević Mangelos / Young Visual Artists Award  for emerging visual artists in Serbia, Nadežda Kirćanski's practice employs a range of media, including drawing, objects, performance, and site-sensitive installations. Kirćanski examines the collision of socio-political realities and contemporary language of Serbian youth, unfolding its unacknowledged emotional, physical, and intellectual labor. Using a vernacular of contemporary art Kirćanski focuses on the political mechanisms that shape our notions of public, private and virtual space revealing a syndrome of the generation stuck between post-socialist past and neoliberal dystopic future.

This is exemplified by the awarded project nista spec 1.0 (nothing much 1.0), an immersive installation organized as a hospital waiting room where Kirćanski focuses on the critical existential issues that the youth has to face while being shaped into a (dis)functional economic subject. Tackling the normalization of institutional malfunctioning, she amplifies the suspension and the absurdity of perpetual waiting for systemic care, youth's anxieties triggered by impossible societal expectations of ‘normalcy’ emerging from inability to cope with the collapsing governing system. Identification, archiving and binding of contradictions Kirćanski finds in everyday life are the main methodology she uses in order to examine the mechanisms that produce the logical slips that enable us to reshape this dystopic reality. In Kirćanski's work the incident of collision is a vital precondition for a change.

Support: Nadežda Kirćanski's residency is made possible with support from the Trust for Mutual Understanding.