Curator Name: Chloé Bonnie More
Residency Dates: October 2025
Born: 1994
From: France
Lives & Works: Paris, France
URL: Instagram @bonniedancing
Education:
2018 – MA in Contemporary Art History and Curating of INHA Paris-Sorbonne
2017 – MA in Arts Administration & Cultural Policy, Goldsmiths, University of London
2016 – A graduate in Comparative Literature of Paris-Sorbonne
Bio/Statement:
Chloé Bonnie More is a French curator, researcher and editor. She has been working internationally for the past ten years, innovating forms of exhibitions, conferences and publications. She has worked with institutions such as LUMA Arles as curator, Zamân Books & Curating, the 57th and 58th Venice Biennale, Palais de Tokyo, Lafayette Anticipations, The Mosaic Rooms London and galleries such as Andréhn-Schiptjenko Paris & Stockholm, Picnic Madrid, etc. In 2020, she launched Kqora, a curatorial platform producing independent exhibitions in fallow spaces, inviting artists to experiment and explore the poetry of unusual spaces, featuring installations and programming.
During her time in New York, Chloé will be pursuing a research project on the legacy of the conceptual artist Lee Lozano. She is the curator of the group show “How to Disappear ?: collective laboratory for disappearance” (Paris, 2019-2020). Since then, Chloé has initiated research around the motif of disappearance in contemporary art. Together with curator Flora Fettah, they launched the Waste, Food & Feminism research project (2021), which highlights the links between women’s eviction from society, food waste and capitalism from a historical and cultural perspective. With this project, they were fellow researchers of the Spot on Economy Research Forum of PACT Zollverein in 2021 and winning curators of the 2024 COAST Contemporary program in Norway on Art & Food. In 2017, she worked on the Nationless Pavilion (57th Venice Biennale, 2017) with Nation25 and conducted a comparative study on the caravanserais’ architecture and possible model of utopia.
