Residency Unlimited

PROGRAMS

Exhibition | Aug 20 - Sep 4 2021

RU Exhibition: Out of The Blue

Cuchifritos Gallery + Project Space
88 Essex Street (inside Essex Market) NYC 10002
Gallery hours: Wednesday-Saturday from 12-6pm

Opening reception: Friday, August 20 from 5-8pm
On view: August 20 through September 4

*Proof of vaccination will be required at the entrance to all visitors. It is also recommended that visitors wear a mask while in the space, regardless of vaccination status.

Residency Unlimited and Cuchifritos Gallery + Project Space are pleased to present OUT OF THE BLUE, a group show opening on Friday August 20, 2021 that celebrates the accidental coming together of strangers. In an era of immense polarization, OUT OF THE BLUE indirectly addresses what it means to have (or not have) something in common. The exhibition will feature the work of four international artists whose paths intersect while in residency with one another: Cecilia Abeid (Brazil), Brigita Antoni (Montenegro), Sharon Poliakine (Israel), Predrag Pavić (Croatia).

Without a collective story bringing them together, other than working out of their usual context and being connected in an "out of the blue" fashion, the notion of finding something in common suddenly becomes a chance operation.

RU Exhibition: OUT OF THE BLUE

Cecilia Abeid is a Brazilian artist and designer currently living and working in New York. Coming from Rio de Janeiro, her sense of creativity tends to come from the art of improvisation and a universe of pigments. While Abeid works with diverse mediums and techniques, including metal etching, lithography, and animation, she has been dedicating herself more and more to stoneware sculptures. One of her many intents is to bring elements of magic and delight into everyday objects and situations of the mundane while still projecting a sense of motion and life into solid sculptures. Especially since the pandemic, Cecilia has cultivated the feeling of making the home an oasis or a magic land. The ceramic sculptures tell a narrative and have a life of their own; we are merely spectators.

Abeid’s ceramic sculptures explore the newfound perspective towards a material proven to be timeless. Fascinated by the capacity of how such a raw, natural mix of water and minerals can mimic reality so vividly, her intent is to capture a sense of doubt in the visual representation of her ceramic sculptures while subtly leaving hints of a tiny world with a life and colors of its own. The artist states that it is important to play around with how such a solid material (at its final step) can look so malleable and feel so tasty; in a world where eggs not only have faces, but they have personality, where bananas are big and unreal, and to an extent even sexual. According to the artist it is all about playing with textures, sizes, and the sense that it goes beyond what your eyes can see.

This summer Abeid will continue exploring ceramics, investing in size and more challenging hand-built sculptures. She hopes to assemble a body of work that projects mundane objects into a surreal and magical perspective.

Brigita Antoni is the winner of the 2019 Milčik Award. Through digital media, painting, and video, combined with found objects, the artist explores the relationships between science and global transformations derived from the scientific discoveries particularly in the fields of astronomy and optics. Her research-based projects result in visual forms that function both as virtual and material installations. Brigita’s solo exhibitions include “The moon is wet and wild” at the City Museum in Ulcinj (2019), Magical Waters in gallery Alexander, Rose (2018), Softness of Being in Atelier Dado, Cetinje (2017), Intrigue in Center gallery, Podgorica (2015), and Sometimes, something… in Sue Ryder gallery, Herceg Novi (2012). Her works were featured in several group exhibitions in Montenegro and Croatia including the National Museum of Montenegro in Cetinje, Petrović Njegoš Foundation, and Center for Contemporary Art in Podgorica.

Engaging in a deep exploration of painting and printmaking for more than three decades, Sharon Poliakine’s work interrogates the relations between these two art forms. Sharon makes large-scale gestural paintings that are built up through layers of oil paint. Characterized by physical actions and intense drawings, her paintings are thick, dense, and rich with pictorial motives which are entangled in and through them.

Sharon’s main point of departure is printmaking, which remains her greatest influence, on her drawing, prints, paintings, and mixed media objects, whether as technique, inspiration, or in its artistic-historic context. Her work is intimately tied to the place where she lives and works. The way in which she works is always associative, yet grounded in practice-based research, augmented by voracious reading and her academic surroundings. The practice of looking back to old masters’ paintings and consistently relating to historical maps and cultural signs, provides her with a distancing and thus critical point of view.

Her works are held in the collections of the Brooklyn Museum, New York; The Public Library, New York; The British Museum, London Israel Museum, Jerusalem; Tel Aviv Museum of Art; and many private collections. Sharon Poliakine is a professor at Haifa University, where she currently serves as the head of the MFA program.

Predrag Pavić is the winner of the 2019 Radoslav Putar Award. He works in sculpture, video, performance, and is interested in media archaeology, art theory, film, and literature. An active member of the Zagreb independent art scene, Pavić is the founder of the architect Marko Ambroš of Deminutiv Studio that specializes in model making. He also co-manages the artist-run studio/gallery space Atelijeri Žitnjak and is a member of the Croatian Freelance Artist Association.

His work has been featured in group and solo exhibitions in Zagreb, Split, Pula, Osijek, Gothenburg, Catania, Sofia, Düsseldorf, and Gdansk. He was awarded a Croatian AICA association award, Grand Prix of the 10th Triennial of Croatian sculpture, and Grand Prix Emanuel Vidović at the 38th Split Salon. He teaches sculpture at the Academy of Fine Arts in Zagreb.

 

About Cuchifritos Gallery + Project Space

Cuchifritos Gallery + Project Space provides exhibition opportunities to hundreds of independent curators and emerging underrepresented artists. Its location inside the Essex Street Market creates a distinct opportunity to directly engage with the local community about contemporary art. Artists Alliance Inc is interested in promoting contemporary artwork in all media, to be shown within a local community setting, though we do not promote community-based art. Through an annual open call, Cuchifritos Gallery + Project Space seeks exhibitions featuring the work of emerging and underrepresented contemporary artists and the curators who seek to exhibit these artistsʼ work in a clear and concise context. In addition, Cuchifritos Gallery + Project Space is particularly interested in exhibits that convey relevance to the local community.

 

 

This program benefits from the support of The Trust for Mutual Understanding, The Younes & Soraya Nazarian Family Foundation, Artis, The Israel Office of Cultural Affairs, Consulate General of Israel in New York. This program is also supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the city council. We also extend our special thanks to Lauraberth Lima and Jodi Waynberg. 

 

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Brigita Antoni

Cecilia Abeid

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Predrag Pavic